Sports Fashion Celebrity Film Prod Producer

Social Agency: The Midnight Club 2nd Photographer: Kevin Oh Social Photographer: Lauren Kim Social Videographer USA: Jenna Huskisson DP - LA, Madrid, Rome, London: Liam Reardon DP - Seoul/Beijing: Evan Ciniello DP - Orlando: Mitchell Mahar Perrin Post-Production: Composer: Pour Le Sport Recording Co. Color: RCO Color & Finishing Retouching: Silhouette StudioLocal Production Partners: Local Production Madrid: Hawai Films Local Production Rome: Lume Prod Local Production Seoul: Luminous Local Production Beijing: Hypemaker LA Tate McRae Makeup: Lilly Keys | A-Frame Agency Hair: Chad Wood | The Wall Group Manicure: Sarah Chue | Exclusive artists Styling: Chloe & Chenelle Delgadillo | A-Frame Agency Seamstress: Jinnah Park Xochitl Gomez Hair & Make Up: Brittany Gharring Lead stylist: Jenny Haapala Set: David Dean Ebert Movement Director - LA: Ian Eastwood Post-Production: Composer: Pour Le Sport Recording Co. Color: RCO Color & Finishing Retouching: Silhouette Studio

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Picture Farm worked in collaboration with Adidas MakerLab Creative Director Jose Cabaco, the Adidas Creator Farm and GrandArmy over the summer of 2019 to produce a massive multi-country video and photo campaign for a collaborative artist’s re-design of the iconic Adidas Campus sneaker. Titled the Adidas MakerLab Campus 80s, the project included campaign and BTS photography shot by Jean-Vincent Simonet and a progressive documentary film campaign directed by Leandro Lara. Executive Producer Ben Freedman led the production of the ambitious project, which took us all over the world, from Tokyo and the UK, Germany and Vietnam, following three designers – Alex Nash, Helen Kirkum, and Shun Hirose – in their quest to create their own iteration of the iconic silhouette. The intensive post production process for the video pieces, which would include not only creative editing but element fabrication for animation, title design and sound design, took place at PF’s Brooklyn headquarters under post supervisor Leslie Yoon and lead editor Chris Besecker’s stewardship.